Developing profound abilities unveiling the mysteries of hypnosis and mind-body
techniques. How do you actually do this?

My name is Eugene Irvin

What do I mean by `profound innate abilities?’ This does not just mean topics such as amnesia, visual hallucination with eyes open, glove anaesthesia, smell removal, and so on. It can mean a person imagining a colour such as blue where it is so bright that the imagined blue is causing the person real or imagined pain. In other words profound innate abilities refers to the extremes of ranges a modality and submodalities can take. Abilities that are not usually available with people without outside assistance.

I need to make it very clear that I have read the same stuff again and again and again, the same old, same old as to how this might be achieved. The endless talk about achieving mind body control yet virtually nothing is presented that is different.

Everyone appears to want to make it simple, because, and I think there is truth in this, once it becomes more complex, people will gloss over it and simply not be interested to critique it, to look at it with an open and critical mind. I would love to be proven wrong but all my efforts have gone absolutely nowhere once it is apparent to the reader that I am not going to repeat the simple same old.

Of course developing profound innate abilities might be simply achieved, but this has been looked at endlessly. How do we improve the percentages of people who can reliably access the more profound innate abilities? This is a completely different question.

With my presentation there are no specific techniques one would use all the time. There are components that might be combined in all types of different ways.

Are my podcasts with this topic a simple thing to quickly gloss over and give a two line summarised answer with each component? No, it is not! It sometimes requires thinking differently to a greater or lesser extent. This is the hard part.

Do I think everything I present is absolute truth? Of course not.
Will it be successful all the time? Of course not.

The components are the result of my experiences with profound innate abilities and trying to determine over many years exactly what I had done to achieve those results.
As to how generalizable those techniques are, I do not know. I can tell you, there is a strong logic in its design that is worthy of at least considering instead of defaulting to the same old- same old simplistic stuff which we have all read seemingly endless times.

Thank you.

RESOURCES

Are we fully aware of the range of potentially usable innate abilities in the mind-body field?   

Innate abilities and their Submodalities 

Everyone will have a different list to the one presented here. This is simply my list. Each of these resources has the potential to be used in different ways. I see the same resources being repeatedly used. A large number of resources appear to be neglected. I do not see any structure which would assist me in being creative as to how those neglected resources might be used.    

There are 29 resource topics and 197 resource divisions
There is no mention of parameters here.

Modalities List

Real=There is real sensory input from the topic mentioned.
Not Real= There is no real sensory input from the topic mentioned. Whatever is being perceived is from the clients’ imagination.

1. Motor simple-light
2. Motor simple-relaxation
3. Motor simple-rigid
4. Motor simple-heavy
5. Complex motor
6. Motor complex- verbalising
7. Motor complex- writing
8. Imagination-analgesia/ anaesthesia
9. Imagination-auditory
10. Imagination-balance
11. Imagination-dermal
12. Imagination-fatigue
13. Imagination-hunger
14. Imagination-kinesthetic- proprioceptive
15. Imagination-pain
16. Imagination-secretion
17. Imagination-smell
18. Imagination-taste
19. Imagination-thermal
20. Imagination-thirst
21. Imagination-touch-pressure
22. Imagination-visual
23. Imagination-time distortion
24. Age Regression-Progression
25. Amnesia
26. Cardiovascular
27. Gastrointestinal
28. Respiration
29. Emotion

Modalities and their Submodalities

Motor simple-light

Motor>simple>light with actual movement
[Any parts of the body which can be objectively tested for lightness. One or more at the same time.]               Motor>simple>light with no actual movement.
[Can be any part of the body as there is no movement. For example: `light brain.’]

Motor simple-rigid

Motor>simple>rigid with observable physical demonstrations
[Any parts of the body which can be objectively tested for rigidity. One or more at the same time.]
Motor>simple>rigid with no observable physical demonstration of rigidity
[Can be any part of the body as there is no movement. For example: rigid brain.]           

Motor simple-relaxation

Motor>simple>relaxation with observable physical demonstrations
[Any parts of the body which can be objectively tested for physical relaxation. One or more at the same time.] 
Motor>simple>relaxation with no observable physical demonstration of relaxation
[Can be any part of the body as there is no movement. For example: relaxed brain.]

Motor simple-heavy

Motor>simple>heavy with actual observable physical demonstrations
[Any parts of the body which can be objectively tested for physical heaviness. One or more at the same time.] 
Motor>simple>heaviness with no observable physical demonstration of heaviness
[Can be any part of the body as there is no movement. For example: heavy brain.]

Complex motor

Motor>complex>coordination
[Any parts of the body which can be objectively tested for levels of movement coordination. One or more parts at the same time.]

Motor complex-verbalising (talking/ singing)

Motor>complex>verbalising>speed of verbalising increase
Motor>complex>verbalising>speed of verbalising decrease
Motor>complex>verbalising>difficulty with verbalising
Motor>complex>verbalising>volume of verbalising increase
Motor>complex>verbalising>volume of verbalising decrease
Motor>complex>verbalising>verbalising coherence
Motor>complex>verbalising>verbalising flow
Motor>complex>verbalising>loss of

Motor complex-writing

Motor>complex>writing>speed of writing increase
Motor>complex>writing>speed of writing decrease
Motor>complex>writing>difficulty with writing increase
Motor>complex>writing>difficulty with writing decrease
Motor>complex>writing>automaticity level [Clients’ level of conscious awareness of what they are writing and/or about to write
Motor>complex>writing>legibility
Motor>complex>writing>coherent
Motor>complex>writing>loss of

Imagination-analgesia/ anaesthesia

REAL
Imagn>real inputs>analgesia/ anaesthesia
[Range of possible subdivisions is vast]

NOT REAL
Imagn>no real inputs>analgesia/ anaesthesia 
[Range of possible subdivisions is vast]

Imagination-auditory

REAL
Imagn>auditory>real>auditory appearing near/ distant
Imagn>auditory>real>auditory changing speed slow/faster
Imagn>auditory>real>auditory distortion
Imagn>auditory>real>auditory ability to focus on one auditory out of many
Imagn>auditory>real>auditory decibel level increase/decrease
Imagn>auditory>real>loss of auditory

NOT REAL
Imagn>auditory>not real>auditory appearing near/ distant
Imagn>auditory>not real>auditory changing speed slow/faster
Imagn>auditory>not real>auditory distortion
Imagn>auditory>not real>auditory ability to focus on one auditory out of many
Imagn>auditory>not real>auditory patterns such as strobe/waves/rhythmic/ erratic
Imagn>auditory>not real>auditory decibel level increase/decrease
Imagn>auditory>not real>loss of auditory

Imagination-balance

REAL 
Imagn>balance>real>increase
Imagn>balance>real>decrease 
Imagn>balance>real>loss of

NOT REAL
Imagn>balance>no real input>increase 
Imagn>balance>no real input>decrease 
Imagn>balance>no real input>loss of

Imagination-fatigue

Imagn>fatigue>physical increase
Imagn>fatigue>physical decrease
Imagn>fatigue>cognitive increase 
Imagn>fatigue>cognitive decrease
Imagn>fatigue>emotion increase
Imagn>fatigue>emotion decrease

Imagination-hunger

Imagn>hunger>increase
Imagn>hunger>decrease

Imagination-dermal

REAL
Imagn>dermal>real>part to total loss of dermal
Imagn>dermal>real>misperception of dermal
[A real dermal stimulus may be misperceived as tingling, hot, cold, etc]

NOT REAL
Imagn>dermal>not real>misperception of dermal
[A not real dermal stimulus may be perceived as being tingling, hot, cold, etc]

Imagination-kinesthetic/ proprioceptive

REAL
Imagn>kinesthetic/ proprioceptive>real>part to total loss of kinesthetic/ proprioceptive Imagn>kinesthetic/ proprioceptive>real>misperception of kinesthetic/proprioceptive stimuli
[A real kinesthetic/ proprioceptive stimulus may be misperceived as tingling, hot, cold, etc]

NOT REAL
Imagn>kinesthetic/ proprioceptive>not real>misperception of kinesthetic/proprioceptive stimuli

Imagination-pain

REAL
Imagn>pain>real>misperceptions of pain stimulus
[A real pain stimulus may be misperceived as being increased/ decreased/ tingling/ hot/ cold/ etc]  Imagn>pain>real>partial to total loss of pain

NOT REAL
Imagn>not real>pain
[No pain stimulus of any kind. Range of possible subdivisions is vast]

Imagination-secretion

Imagn>secretion>real>part to total loss of secretion
Imagn>secretion>real>increase 
[An example would be a piece of food in the mouth producing more saliva than normal]

Imagination-smell

REAL
Imagn>smell>real>sensitivity to smells increase
Imagn>smell>real>sensitivity to smells decrease
Imagn>smell>real>smell distortions
Imagn>smell>real>focussing on one component from many
Imagn>smell>real>part to total loss of smell

NOT REAL
Imagn>smell>not real>sensitivity to smells increaseImagn>smell>not real>sensitivity to smells decrease Imagn>smell>not real>smell distortions Imagn>smell>not real>focussing on one component from many
Imagn>smell>not real>pure smell 
Imagn>smell>not real>combinations of smell- previously experienced or unique
Imagn>smell>not real>part to total loss of smell

Imagination-taste

REAL
Imagn>taste>real>sensitivity to tastes increase
Imagn>taste>real>sensitivity to tastes decrease 
Imagn>taste>real>taste distortions Imagn>taste>real>focussing on one component from many 
Imagn>taste>real>part to total loss of taste

NOT REAL
Imagn>taste>not real>sensitivity to tastes increase
Imagn>taste>not real>sensitivity to tastes decrease 
Imagn>taste>not real>taste distortions
Imagn>taste>not real>focussing on one component from many
Imagn>taste>not real>pure tastes
Imagn>taste>not real>combinations of tastes-previously experienced or unique 
Imagn>taste>not real>part to total loss of taste

Imagination-thermal

REAL
Imagn>thermal>real>hot>increase
Imagn>thermal>real>hot>decrease
Imagn>thermal>real>cold>increase
Imagn>thermal>real>cold>decrease
Imagn>thermal>real>hot>misperception
Imagn>thermal>real>cold>misperception
Imagn>thermal>real>part to total loss of thermal.

NOT REAL                                                                                                                                       
Imagn>thermal>not real>hot
Imagn>thermal>not real>cold
Imagn>thermal>not real>hot>increase
Imagn>thermal>not real>hot>decrease
Imagn>thermal>not real>cold>increase
Imagn>thermal>not real>cold>decrease
Imagn>thermal>not real>hot>misperception
Imagn>thermal>not real>cold>misperception
Imagn>thermal>not real>part to total loss of thermal.

Imagination-thirst

Imagn>thirst>increase
Imagn>thirst>decrease
Imagn>thirst>swallowing difficulty

Imagination-touch-pressure

REAL                                                                                                                        
Imagn>touch-pressure>real>increased sense of touch-pressure
Imagn>touch-pressure>real>reduced sense of touch-pressure
Imagn>touch-pressure>real>misperception of touch-pressure
[Light feels heavy/ heavy feels light/ tingling/ warm/ cold/ etc]

Imagn>touch-pressure>real>part to total loss of touch-pressure

NOT REAL                                                                                                                                   
Imagn>touch-pressure>not real>increased sense of touch-pressure
Imagn>touch-pressure>not real>reduced sense of touch-pressure
Imagn>touch-pressure>not real>misperception of touch-pressure
[Light feels heavy/ heavy feels light/ tingling/ warm/ cold/ etc]                                                  
Imagn>touch-pressure>not real>part to total loss of touch-pressure

Imagination-visual

• Eyes open may change the meaning to clients. Always be aware of the large difference between eyes open and eyes closed. Belief may be stronger if client experiences a visual with `eyes open.’
• Imagined means the persons’ visualisation is of something which is not real, it is a `figment of their imagination.’
• A reader may think that a visual appearing near/ distant should be on the same line. The way each of these submodalities might be used however may be quite different. You may want to combine in a meaningful way an imagined object coming nearer and that imagined object moving into the distance. Thus two distinct usages of each of those submodalities may be combined in such a way to enhance the effectiveness of each of the individual submodalities.
• Many times there are no clear boundaries between the categories. It is only meant to be a rough classification. Every person would have their own list which may differ considerably from this list. 

REAL
Imagn>visual>eyes open> real external sensory input>visual focussing on one component out of many
Imagn>visual> eyes open> real external sensory input>visual appearing near
Imagn>visual> eyes open> real external sensory input>visual appearing distant
Imagn>visual> eyes open> real external sensory input>visual changing speed slower
Imagn>visual> eyes open> real external sensory input>visual changing speed faster
Imagn>visual> eyes open> real external sensory input >visual ability to focus on detail
Imagn>visual> eyes open> real external sensory input>visual activity level
Imagn>visual> eyes open> real external sensory input>visual brightness reduce/magnify
Imagn>visual> eyes open> real external sensory input>visual micro/normal/magnify
Imagn>visual> eyes open> real external sensory input>visual distortion of how it would normally look Imagn>visual> eyes open> real external sensory input>visual movement types rotating/rhythmic/ erratic Imagn>visual> eyes open> real external sensory input>visual image types shapes/ textures/ patterns/ 2D-3D/ angles
Imagn>visual> eyes open> real external sensory input>visual colours black/grey/white
Imagn>visual> eyes open> real external sensory input>visual colours pure red/blue/green/yellow/violet
Imagn>visual> eyes open> real external sensory input>visual colours mixtures

NOT REAL
Imagn>visual>eyes closed>visual appearing near
Imagn>visual>eyes closed>visual appearing distant
Imagn>visual>eyes closed>visual changing speed slower
Imagn>visual>eyes closed>visual changing speed faster
Imagn>visual>eyes closed>visual ability to focus on detail
Imagn>visual>eyes closed>visual activity level 
Imagn>visual>eyes closed>visual brightness reduce/magnify 
Imagn>visual>eyes closed>visual micro/normal/magnify Imagn>visual>eyes closed>visual distortion of how it would normally look
Imagn>visual>eyes closed>visual focussing on one component out of many
Imagn>visual>eyes closed>visual movement types rotating/rhythmic/ erratic
Imagn>visual>eyes closed>visual image types shapes/textures/patterns/2D-3D/ angles
Imagn>visual>eyes closed>visual colors black/grey/white
Imagn>visual>eyes closed>visual colors pure red/blue/green/yellow/violet

Imagn>visual>eyes closed>visual colors mixtures
Imagn>visual>eyes closed>loss of visual

Negative hallucinations: Imagined with a real input 
Imagn>visual>eyes open>real>suggested real items missing from conscious perception completely
[Can be one item or the entirety of real visual sensory input; e.g., an entire furnished room is now seen as being completely empty]

Positive hallucinations: Imagined with no real input:
Imagn>visual>eyes open>real>suggested real items now present even though missing in reality
[Can be one item or the entirety of real visual sensory input; e.g., an empty room is now seen as being completely furnished]

Combinations of positive and negative hallucinations
One item is removed completely and replaced with something else.

Imagination-time distortion

Imagn>time distortion>lengthen time
Imagn>time distortion>shorten time 
Imagn>time distortion>lengthen time>categories>physical 
Imagn>time distortion>lengthen time>categories>cognitive
Imagn>time distortion>lengthen time>categories>emotion 
Imagn>time distortion>shorten time>categories>physical 
Imagn>time distortion>shorten time>categories>cognitive
Imagn>time distortion>shorten time>categories>emotion

Age Regression-Progression

Age regression>timeline>within real life span>categories>physical 
Age regression>timeline>within real life span>categories>mental 
Age regression>timeline>within real life span>categories>emotion
Age regression>timeline>within real life span>categories>situations
Age regression>timeline>outside real life span>categories>physical
Age regression>timeline>outside real life span>categories>mental
Age regression>timeline>outside real life span>categories>emotion 
Age regression>timeline>outside real life span>categories>situations 
Age progression>timeline>within real life span>categories>physical 
Age progression>timeline>within real life span>categories>mental
Age progression>timeline>within real life span>categories>emotion
Age progression>timeline>within real life span>categories>situations
Age progression>timeline>outside real life span>categories>physical 
Age progression>timeline>outside real life span>categories>mental
Age progression>timeline>outside real life span>categories>emotion
Age progression>timeline>outside real life span>categories>situations

Amnesia

Amnesia>type of amnesia>spontaneous
Amnesia>type of amnesia>suggested
Amnesia>specificity of amnesia 
Amnesia>type of system used with amnesia>physical 
Amnesia>type of system used with amnesia>cognitive
Amnesia>type of system used with amnesia>emotional

Cardiovascular

Cardiovascular>heart rate increase
Cardiovascular>heart rate decrease 
Cardiovascular>blood vessel size increase
Cardiovascular>blood vessel size decrease

Gastrointestinal

Gastrointestinal>discomfort increase
Gastrointestinal>discomfort decrease
Gastrointestinal>hyperactivity increase 
Gastrointestinal>hyperactivity decrease

Respiration

Respiration>type of breathing>thoracic/ abdominal
Respiration>rate of breathing>fast/ slow
Respiration>depth of breathing>shallow/deep

Emotion

Imagn>emotion increase 
Imagn>emotion decrease
Imagn>emotion positive increase
Imagn>emotion positive decrease
Imagn>emotion negative increase
Imagn>emotion negative decrease